African art Dogon
Witness to the bronze sculpture of the Dogons, this subject offers a characteristic slender morphology. The character illustrates a protective ancestor, or a mythical being of Dogon cosmogony. Pretty locally ocher light green patina.
The Dogon are a people renowned for their cosmogony, their myths and legends, living in the south-west of the bend of the Niger in the Mopti region of Mali and part of the north of the The villages are often perched on top of the scree on the side of the hills, according to a unique architecture. The history of Dogon migrations and settlements (about ten main groups, about fifteen different languages) involves several hypotheses. For some historians, the Dogon would have fled from an area west of their current location, ...
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Ibeji, substitute images in African art This effigy reflects African Yoruba sculpture. Anointing residues remain locally crystallized. Shiny mahogany patina, indigo highlights.
In the language of the Yoruba people, ibeji means twin: ibi for born and eji for two< /i>. They represent the figure of a deceased twin.
This ibedji is then treated as the missing child would have been. It is the mother who must take care of him; she can wash and feed him regularly. If she dies, the remaining twin takes over. It also happened that a man had ibeji carved for his wife in order to encourage pregnancy, the object becoming a support for fertility.
Support for the soul of the twin, the ibeji influences the life of the family, becoming a source of benefits for his parents, the latter ...
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French African art collection.Carved in dense wood according to aesthetic criteria allowing to "capture" the spirit to which the medium or the healer is addressing, the female subject offers the sumptuous anatomy of the statues Nkpasopi . The hairstyle is organized in many chignons enhancing the haughty bearing of the head. This type of statues were evaluated according to the effectiveness of the rites staging them. In most cases, these statues served as mediators between the healers and the spirits that took hold of them, and they are still used today. Desication erosions and cracks. Glossy black patina.
The lagoon populations of eastern Côte d'Ivoire mainly include the Attié, Akyé, Ebrié and Abouré. Their sculptures offer many similarities. These kingdoms had the first commercial ...
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The sculptor took up and adapted with talent the traditional elements of the Dan African mask named Déanglé, enlivening it with a realistic physiognomy. Instead of a raffia hairpiece, braids have been sculpted.
Black satin patina, abrasions, losses. Height on base: 31 cm.
The Dan masks, of various designs, generally occur during very theatrical entertainment parties where women play a preponderant role. The so-called "mocking" mask called Déanglé defines an ideal of beauty and benevolence because it is sculpted in honor of the young girls of the village or famous men.
In general, dan masks also have the particularity of not being representations of bush spirits but of actually being their incarnation.
The Dan live in western Côte d'Ivoire, but also in Liberia. Also called Yacouba, ...
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In African art among the Mende, sowei masks embody aquatic spirits. This ancient African mask called bundu offers a braided hairstyle forming a unique assembly. The face sinks into rings of flesh, a feminine ideal linked to prosperity.
Painted black or tinted with a leaf wash, the mask was then rubbed with palm oil.
Soft, satiny patina, erosions and desication cracks.br>
The Mende, Vai and Gola cultures of Sierra Leone, Liberia and the west coast of Guinea are known for the helmet masks of the female initiation society Sandé which prepares young girls for the marriage . The male society is the Poro society.
Relatively rare in sub-Saharan Africa, these masks are made by men and worn by women.
To close the rituals, a "spirit" appears, wearing this mask lined with long fibers of ...
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Ancient African mask bakrogui, Simogui, or Angbaï, of the Toma of Guinea, relating to the ancestors. This mask intended to impress is equipped with a thick skin hood, lined with various elements, mirrors, cowries. It is extended by a heavy cape made of embroidered textile and velvet with colored patterns, edged with red fabric. Metal bells adorn the contours of the mask. Only members of the Poro were allowed to contemplate the bakrogui mask.
The Toma of Guinea, called Loma in Liberia, live within the forest, at high altitude. They are renowned for their landai board masks intended to enliven the initiation rites of the poro association that structures their society, and which represent spirits of the bush. As soon as the landai mask appeared, the initiates would go to the ...
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br>This sculpture with a balanced morphology has a thick greasy patina. The traditional ethnic scarification marks can be seen on the surface. These tribal marks were made on the abdomen after the birth of the first child.
Good condition despite some desiccation cracks.
This type of figure also topped karan-wemba masks. These statues have become rarer due to the conversions of their owners to Islam. The patina usually comes from renewed applications of shea butter. Mossi chiefs have prestigious statues gathered in the house of ancestral spirits, and those of diviners, representing ancestors, have a sacrificial patina.
Upper Volta, Burkina Faso since independence, is composed of the descendants of the invaders, horsemen who came from Ghana in the ...
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This kwele mask, analyzed with carbon 14 by the "KIKIRPA" (Royal Institute of Artistic Heritage) whose results were confirmed by the Ciram laboratory on the initiative of Mr. Pierre Dartevelle, was acquired by a renowned French collector (the identity will be communicated to the purchaser).
With a beautiful symmetry, this two-tone mask presents the traditional criteria of kwele masks, whose heart-shaped, concave orbits extend widely over the face, above a fine ridged mouth.
Height on base: 39 cm.
Tribe of the Kota group, the Kwélé , Bakwélé , live in the forest on the northern border of the Republic of Congo. They live from hunting, agriculture and metallurgy. Practicing the cult called Bwété borrowed from the Ngwyes, which was accompanied by obligatory initiation rites, ...
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French African Tribal Art Collection.
Anthropo-zoomorphic figure representing a slender subject, endowed with feminine attributes, established in an unconventional posture and whose narrow face extended by a pointed jaw would recall certain Dogon animal masks associated with monkeys or even crocodiles (dia).
Dark, lumpy, irregular patina.
Carved for the most part on order placed by a family, the Dogon statues can also be the object of worship on the part of the whole community. However, their functions remain little known.
More than eighty types of Dogon masks have been listed, the majority used by circumcised initiates of the Awa society, during funeral ceremonies. The Ko mask of the Dogon is one of three types of monkey masks: Dege represents a baboon ...
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The polychrome mask is surmounted by a basketwork structure draped in textile painted with geometric patterns. This headdress ends in four lobes arranged in a corolla. A handle, concealed by the thick raffia adornment, allows you to carry everything.
Neighbors of the Yaka and the Kongo in the west of the former Zaire, the Zombo fear, like the Kongo clans, the god named Nzambi. Their diviners use fetishes similar to those of the Kongo, the ceremonies associated with the initiation rites, however, stem from Yaka traditions.
Hierarchical and authoritarian, made up of formidable warriors, Yaka society was governed by lineage leaders with the right to life and death over their subjects. Hunting and the prestige that results from it are nowadays an opportunity for the Yaka to ...
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Protective sculpture of lineage or family, whose glazed abdomen conceals a magical charge. The glazed gaze refers to mediumistic abilities. Figure sometimes illustrating a proverb, the character is represented here perched on zoomorphic figures emblematic of specific clans.
Desication cracks, crusty light gray patina.
The Vili, the Lâri, the Sûndi, the Woyo, the Bembe, the Bwende, the Yombé and the Kôngo constituted the Kôngo group, led by King ntotela. Their kingdom reached its peak in the 16th century with the trade in ivory, copper and the slave trade. With the same beliefs and traditions, they produced a statuary endowed with a codified gesture in relation to their vision of the world.
The nganga sorcerers, both healers, were in charge of religious activities and ...
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Refinement of Cameroonian Grassland sculptures.
This statuette of an ancestor carved in wood, characterizing the African tribal art of the Grassland regions, was covered with a canvas of rabane then encrusted with imported multicolored beads. The subject presents a cup with a lid.
Among the Bamiléké as in other ethnic groups, works of art bear witness to the place of their owner in society. Thus, the materials and shapes of objects varied according to social status.
Located in the border region of Nigeria, the North West province of Cameroon, the Grassland is made up of several ethnic groups: Tikar, Anyang, Widekum, Chamba, Bamoun and Bamileke . Several centralized chiefdoms, or kingdoms, based on customary associations, secret societies, are organized around the Fon who would have ...
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Extract from a Belgian African tribal art collection of 17 pieces representing different animals.
This object comes from northeastern Nigeria near Lake Chad, around Maiduguri, in the state of Borno, which is currently relatively inaccessible because it is controlled by armed Islamist groups. The dominant language is Kanuri.
It is a rare piece, associated with protective spirits, which was buried in the ground in order to preserve crops from animals or thieves. The Damosaka families, a very little known minority ethnic group in the region, had this type of ritual object. We have no information about them.
The sculpture forms a detailed figurative representation of a frog offering realistic proportions. A solid, spongy-looking growth remains on the subject's back. A ...
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This ancient African mask Lega indicated the stage that its holder had reached within the Bwami, a learning society open to men and women and composed of different grades. Abraded matte patina, encrusted residues of kaolin. Cracks, marks of use.
Height on base: 47 cm.
Within the Lega, the Bwami society organized social and political life. There were up to seven levels of initiation, each associated with emblems. Following their exodus from Uganda during the 17th century, the Lega settled on the west bank of the Lualaba River in the DRC. Social recognition and authority had to be earned individually: the chief owed his selection to his heart (mutima), good character, intelligence, and impeccable behavior. During ritual ceremonies, Idumu masks were presented to initiates ...
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It is through various secret societies that the Bambara initiates will acquire their knowledge, including that of Koré, targeting the elders and during which this mask intervenes. Kore society is divided into eight classes of initiates, the sixth of which is that of the hyenas, or surukuw.The bulbous forehead of the mask is surmounted a horn which would symbolize the tuft of hair removed after the death of the animal. The prominent forehead refers to intelligence.
Abrasions from use and cracks.
Established in central and southern Mali, in a savannah zone, the Bambara, "Bamana" or "unbelievers", as the Muslims have named them, belong to the large Mande group, with the Soninke and the Malinke.
The Bambara nyamakala artisan groups, more specifically the ...
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The Ekiti of the northeastern part of the Yoruba region use African masks polychrome heaumes associated with the Epa cult, illustrating the prosperity of the community.
They appear at funerals or rites of passage.
The base of the janiform mask, named ikoko, is topped by a tray on which a female figure kneels surrounded by miniature subjects. The release of these masks, which will have been painted by their owners, takes place every two years. Despite the weight of the masks, the dancers perform spectacular acrobatic demonstrations. These ceremonies are also supposed to increase fertility.
Grainy polychrome patina, abrasions and desiccation cracks.
The Yoruba, more than 20 million, occupy southwestern Nigeria and the central and southeastern region of Benin ...
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Referring to the wild buffalo, the African mask panya ngombe adopts a singular, triangular design. It indeed presents the stylized head of an animal, whose features in low relief stretch in width. A border of lozenges tinted with pink ocher surrounds the shape. Copies larger than required by the tribal canon were intended to be hung in the chief's hut, and logically did not present any internal signs of use.
Velvety matte patina. Small chip.
Height on base: 32 cm.
The western Pende live on the banks of the Kwilu, while the eastern people have settled on the banks of the Kasai downstream from Tshikapa. The influences of neighboring ethnic groups, Mbla, Suku, Wongo, Leele, Kuba and Salempasu imprinted on their large tribal art sculpture. Within this diversity, the Mbuya ...
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Ex private French collection of African art. Typical representation of a maternity according to the canons of art Tikar. Sitting on a royal stool, she holds two children on her lap. High-lined, she is richly adorned with jewels, necklace and bracelets around her neck and wrists. The headdress is very elaborate and many ritual scarifications cover her belly. The seat of the stool is highly worked and based on a five-person caryatid base. The tribes that live in the Grasslands, in northwestern Cameroon, are part of the Tikar peoples, divided into several independent kingdoms in the Bafut kingdom. The structure of the kingdom consists of a large chiefdom subdivided into quarters: residences of queens, children and notables. The notables constitute the hierarchy of the chieftaincy.
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African zoomorphic mask, worn on the head. This mask refers to the antelope.
Polychrome decorative motifs.
Matte patina, abrasions and desication cracks.
The African art sculptures of the Bobo, Bwa, Kurumba and Mossi, living in Burkina Faso, frequently take up and combine stylized elements borrowed from men, animals or even insects. It is the spirits of nature who are believed to determine an individual's well-being and prosperity, and adversity will be seen as the result of neglect of collective rituals. It is therefore during different celebrations that the mask will personify a spirit of nature or that of an ancestor in order to influence the daily lives of members of the ethnic group. They appear to honor the deceased during funeral rites, and to escort souls to the ...
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Former prestigious anthropomorphic seat. Traditional patterns are alternately chiseled on the surface.
The subject's pupils were originally encrusted with pearls. The circular seat is slightly concave, supported by an openwork base.
Nuanced brown patina, erosions and abrasions of use.
In the southern coastal region of Tanzania, around Dar-es-Salaam, a relatively homogeneous group produced most of the artistic productions. It includes the Swahili, Kaguru, Doé, Kwéré, Luguru, Zaramo, Kami.
Among these populations, the seats are thrones intended for the heads of lineage, each of them being under the protection of a tutelary spirit. These stools were set apart in shrines
named kolelo, guarded by priests.
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Slender face flanked by huge rectangular earrings, inviting the gaze towards the shoulders draping the columnar bust like a shawl. The asymmetry of long bent arms offers the illusion of dynamics. The skirted hips overhang the parallel planes of notched legs.
Erosions and cracks. Glossy black patina.
The statuary emanating from the northwestern region of the middle Benoué, from the Kona Jukun, to the Mumuye and up to the Wurkun populations is distinguished by a relative absence of ornamentation and a refined stylization. The 100,000 Adamawa language speakers form a group called Mumuye and are grouped into villages, dola, divided into two groups: those of fire (tjokwa) relating to blood and the color red, guardians of the Vabong cult, from among whom are elected the heads,and ...
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