Tribal Art, online sale of tribal art, primitive art and primitive art
...
Search option




Tribal art - African Rider:

The riders are usually made of bronze, but many of these are made of wood. Real masterpieces of art Dogon, Sao, Bamoun, Yoruba


Bamoun Rider
promo art africain
Tribal art > African Rider > Bamoun Rider

This Bamoun rider controlling a prancing horse would represent King N'Doya in his victory over the Peuls in the 19th century. Dark brown leather dresses the shapes of the character and his frame, lighter leather covers the hooves. The king armed with a sword is dressed in a traditional costume, the Hausa having introduced clothing transformations among the Bamoun, he wears leather stirrups connected by a rigid wicker rod. The various decorative elements and materials used here form an exceptional work.
The Bamun live in a region full of wooded landforms as well as savannahs. This large territory called Grassland located in the southwest of Cameroon is also the seat of other nearby ethnic groups such as the Bamiléké and the Tikar. Bamoun art is illustrated by bas-relief ...


View details

1250.00  1000.00

Dogon horseman
Sold item
Tribal art > African Rider > Dogon horseman

Prestigious sculptures in African art from Mali This wooden sculpture features a Dogon chief with a scarred face, riding his mount. According to Gabriel Massa, only the wealthy could commission the blacksmith to make this type of rare, prestige sculpture for individual worship.
Old matt patina, erosion and desiccation cracks. The frequent representations of horsemen among the Dogon of Mali refer to their cosmogony and their complex religious myths. Indeed, one of the Nommos, ancestors of the men, resuscitated by the creator god Amma, came down on the earth carried by an ark metamorphosed into a horse. Moreover, the highest authority of the Dogon people, the religious chief named Hogon, paraded on his horse during his enthronement because according to the custom he should not put ...


View details

Sold

Bamana, Bambara Rider
Sold item
Tribal art > African Rider > Bamana Rider

The Bamana, like the Dogon, magnify the ancestors through representations of cavaliers. The latter are major characters in the puppet theater organized by youth associations.
These works also evoke the horse races between young Bamana. The character rides without stirrups, and is wearing the traditional cap.
Grayish matte patina. Misses.
The Bambara of central and southern Mali belong to the large Mande group, like the Soninke and Malinke. Groups of Bambara artisans nyamakala , more specifically the blacksmiths named numu , are in charge of carving ritual objects, endowed with the nyama , occult energy. Using fire and magical objects, the role of healer and diviner is also attributed to them. Their powers are transmitted to their women, who alone have the right ...


View details

Sold

Bamana rider figure
Sold item
Tribal art > African Rider > Bambara rider

Ex-collection of French African art. The Bamana, like the Dogon, magnify the ancestors through representations of horsemen on horseback. These last ones constitute major characters of the theater of puppets organized by the associations of young people.
These works also evoke the horse races between young Bamana. The ears and hands of this naked rider, riding without stirrups, have been symbolically accentuated.
Beautiful warm brown patina, velvety, residual ochre inlays. Misses.
The Bambara of central and southern Mali belong to the large Mande group, like the Soninke and Malinke. Groups of Bambara artisans nyamakala , more specifically the blacksmiths named numu , are in charge of carving ritual objects, endowed with the nyama , occult energy. Using fire ...


View details

Sold

Dogon riders statue
Sold item
Tribal art > African Rider > Dogon statue

A couple of riders are riding bareback an animal of prestige for the Dogon, the horse, whose limbs are stretched and whose head is rather geometric. The human figures, probably dignitaries, are wearing braids and bracelets. Matt patina. Erosions.
The frequent representations of horsemen, among the Dogon of Mali, refer to their cosmogony and complex religious myths. Indeed, one of the Nommos , ancestors of men, resurrected by the creator god Amma, descended to earth carried on an ark metamorphosed into a horse. In addition, the highest authority of the Dogon people, the religious leader named Hogon, paraded on his mount during his enthronement because according to custom he was not to set foot on the ground. In the region of the Sangha cliffs, inaccessible by horse, the priests ...


View details

Sold

Do you want to hide sold items ? if yes, click HERE
Altar sculpture Yoruba Osé sango
Sold item
Tribal art > African Statues > Cavalier Yoruba

Glorifying an ancient deified king, a rider figure surrounded by servants forms the central subject of the scene established on a circular handle tray. This sculpture is associated with the cult sango symbolized by a double axis. The equine, rare in the region, was an attribute of prestige that was reserved for the nobility and the sovereigns. At the top, a plank connecting the heads is carved from an iguana or crocodile. . Focused on the veneration of his gods, or orisà, the religion yoruba relies on artistic sculptures with coded messages (aroko). They are designed by sculptors at the request of followers, soothsayers and their clients. These spirits are supposed to intercede with the supreme god Olodumare. Crusty patina. Cracks and abrasions.
Soruba, more than 20 million, occupy ...

Lulua rider figure
Sold item
Tribal art > African Rider > Cavalier Lulua

The primitive art of Congo.
The different types of statues Luluwa, Lulua, or Bena Lulua, present multiple scarifications, and glorify local leaders, motherhood, fertility and the female figure. This rider sports a prominent umbilical, center of the body and " object of all solicitudes" ( The power of the sacred , M. Faïk-Nzuji ) Protruding, erogenous and symbolic scarifications, checkered circles and rectangles differentiate it. It features a talisman collar in the form of a figurine, a fly-fly on the shoulder, and a shield. His sword is missing.
Desication Decisions. Chocolate satin patina.
The Lulua, or Béna Lulua from West Africa, settled in the south of the Democratic Republic of Congo. Their caste-based social structure is similar to that of the Luba. They produced ...


View details

Sold

Rider Sao Sokoto Putchu Guinadji
Sold item
Tribal art > African bronze > Rider Sao

In African art, Sao Sokoto-inspired works are mostly imprinted with the equestrian world. Within the ethnic group, small copies of riders usually in bronze are melted and worn like talismans, patinated and lustrous by friction. They are seen above all as a remedy to fight possession by evil spirits. The horse represents the spirit of the person who is possessed, while the genius who possesses it is symbolized by the rider.

More than an ethnic group, the Sao are a civilization that has disappeared. They were found between the 12th and 14th centuries in a geographical area stretching along the borders between Chad, Cameroon and Nigeria. This bronze, inspired by the finest Sao achievements, has a copper patina. The warriors depicted on their mounts have their heads wrapped in a ...





Previously viewed items
Tribal art  -  Brussels - Paris - London

© 2021 - Digital Consult SPRL

Essentiel Galerie SPRL
73A, rue de Tournai - 7333 Tertre - Belgique
+32 (0)65.529.100